Twitterfeed
  • #ExpeditieWestkopTussendiepen vanaf vrij. as in Drachten. Ga mee op avontuurlijke expedities! Aanmelden kan nog:… https://t.co/9uCZpQ91XI

    Retweet Reply Favorite
  • Amsterdam School For Heritage, Memory and Material Culture exposeert nog tot 1 nov een selectie uit 'Modern Candor'… https://t.co/zBqX79UJZb

    Retweet Reply Favorite
  • Wat is het mooi geworden! Vandaag opende #hortushermitage van Sjaak Langenberg en Rosé de Beer ism Refunc in… https://t.co/ta3P81CxaU

    Retweet Reply Favorite
posted in .make / Project / Tours

Polder Peil. Land Art in de Zeeuwse Wilhelminapolder

27 April 2014 - 27 April 2014
Artist: Michael Beutler
Where: Wilhelminapolder, Goes
When: April 2014
Curator: Theo Tegelaers, Kathrin Ginsberg
Partners: Koninklijke Maatschap de Wilhelminapolder, SKOR | Stichting Kunst en Openbare Ruimte, CBK Zeeland

The broad landscape of Zeeland’s Wilhelminapolder is the backdrop to Europe’s largest work of landscape art. The nine concrete sculptures installed by the German artist Michael Beutler, spread over the 1700-hectare landscape, together form the iconic work Polder Peil (Polder Level).

The landscape of the Wilhelmina polder (known officially as the Koninklijke Maatschap de Wilhelminapolder – Royal Wilhelmina Polder Society) to the north of Goes is a patchwork of agricultural land, roads, dykes and streams. To do justice to the area’s visual variety, Michael Beutler decided to produce a series of nine visually interrelated sculptures that as it were lead you through the landscape. Stood alongside any one sculpture, you see the next in the series emerging, 500 metres further on.

Polder Peil marks the height difference in the empoldered land. Even though we perceive the landscape as being flat, the lowest point is 1.2 metres below NAP (New Amsterdam Level) while for walkers on the road, the height of their eye line is approximately 5 metres higher. At this height, namely 3.8 metres above NAP, Michael Beutler has fixed an artificial horizon. Each work consists of two spheres, stacked on top of one another, in a form of mirror image. The most centrally-positioned of these spheres is five metres high, and one metre less of each of the subsequent spheres in the series remains visible. As a consequence, the spheres appear to be lowering into one another, thereby creating the impression of the setting sun, reflected in the sea.

These objects represent an emphatic artificial intervention at points of concentration where nature and culture coincide. Machine manufactured as a systematic series, Polder Peil refers to the artificiality of both the manmade polder landscape itself, and the technically-advanced manner in which agriculture is practised in the Wilhelminapolder.

“I do not work on but with the landscape. The work itself becomes an integral part of that landscape, and the landscape an integral part of the work,” explained Michael Beutler. And indeed, the landscape does appear to absorb Polder Peil as a sort of mirage.

About the publication

A publication about Polder Peil, designed by Karel & Aagje Martens was published by CBK Zeeland. The publication contains essays and texts by Jeroen Boomgaard, Kathrin Ginsberg, Phillipp Kaiser, Frits de Coninck and Theo Tegelaers. ISBN 978 9 06354 182 8. To order your copy: info@cbkzeeland.nl

A detailed interview with Michael Beutler about Polder Peil appears in the Land Art special of Metropolis M no. 6 2013

About Michael Beutler

Michael Beutler (Oldenburg, Germany, 1976) lives and works in Berlin. Based on his huge interest in history, cultural values and design, his works of art establish an in-depth relationship with the context in which they are placed. His most meaningful works include the labyrinth in Villa Manin (2006), the Flip in Braunschweig (2004) and a series of other (architectonic) works and exhibitions in Frankfurt, New York, London, Moscow, Paris and Berlin.

TAAK on TOUR will be visiting Polder Peil, starting in Amsterdam, on Sunday 27 April. More information and registration.

Foto: Gijs Haak
Foto: Gijs Haak
Installatie Polder Peil, foto: Kathrin Ginsberg
Installatie Polder Peil, foto: Michael Beutler
Installatie Polder Peil, foto: Michael Beutler